Media Brief - October 2009
07 October 2009
Welcome to the October 2009 edition of Media
Brief, the bi-monthly, media-related newsletter from
Field Fisher Waterhouse. We hope you enjoy it. Please feel free to
contact us if you would like to discuss in greWelcome to the
October 2009 edition of Media Brief, the bi-monthly, media-related
newsletter from Field Fisher Waterhouse. We hope you enjoy it.
Please feel free to contact us if you would like to discuss in
greater detail any of the issues raised, or indeed any other
issues.
In this issue:
House of Lords makes "A
Whiter Shade of Pale" judgment
Copyright Tribunal
decision on music video royalties
Government revises its
proposals to combat illegal file-sharing
ECJ ruling on exceptions to
the Copyright Directive
Google – defamation and
keyword cases
Updated Code of
Practice
House of Lords makes "A Whiter Shade of Pale" judgment
The House of Lords has ruled on the copyright ownership claim
brought by the former Procol Harum member, Matthew Fisher, in
relation to the band's famous hit A Whiter Shade of Pale
(Fisher
v Brooker [2009] UKHL 41). The case was issued in
2005 by Mr Fisher who claimed that he was entitled to joint
ownership of the musical copyright in A Whiter Shade of Pale on the
ground that he wrote the distinctive organ solo in the opening bars
of the song in 1967. The House of Lords concluded that delay – a 38
year delay in this case – does not prevent a person from asserting
his ownership in a copyright work in England, although it may
prevent him from obtaining certain relief such as an injunction or
a claim for past royalties. The music industry may now be concerned
that Mr Fisher's success in this case may encourage other musicians
to issue their own copyright ownership claims.

Copyright Tribunal decision on music video royalties
The Copyright Tribunal has made its first decision on the
royalty rate payable for broadcasting music videos. The case
involved a dispute between the collecting society Video Performance
Limited (VPL) and the broadcaster CSC Media Group Limited (CSC)
over the level of royalties CSC should pay for the broadcast of
music videos on its seven music channels. The Copyright Tribunal
decided that the 20% rate sought by VPL was too high and reduced
the payment to 12.5% of CSC's gross revenue (subject to deductions
for advertising and other costs) to reflect, amongst other things,
the promotional effect of music videos and the decline in
advertising on music video channels due to increased internet
usage.
Read more >

Government revises its proposals to combat illegal
file-sharing
As reported in the August 2009 edition of Media Brief, on 16
June 2009 the government launched a consultation
on legislation to address illicit P2P file-sharing proposing a two
stage process of notification, followed by technical measures (such
as slowing down connection speed of infringers) if
required. Subsequently the government issued a
Statement
on 25 August 2009 announcing some new ideas to be considered as
part of the consultation. Now the government proposes to speed up
the time taken to implement technical measures and is also
considering adding account suspension to the list of technical
measures that could be used as a last resort against the most
flagrant copyright pirates. These new proposals have divided
opinions. The consultation period ended on 29 September 2009
(extended in the Statement from 15 September 2009) and the
government expects to issue its response in December 2009.

ECJ ruling on exceptions to the Copyright Directive
The European Court of Justice has issued a ruling
(Infopaq
International A/S v Danske Dagblades Forening
(Case 5/08)) that is relevant to internet access providers, as well
as online content aggregation businesses, which clarifies an
exception to copyright infringement for certain "transient" or
"incidental" copying. The main points arising from this judgment
are that:
reproduction of an eleven-word extract from a newspaper article
is capable of constituting copying if those words are the
expression of the intellectual creation of their author.
printing out an extract of eleven words during a data capture
process does not fulfil the condition of being transient in nature
as required to fall within the exception to copyright infringement.
Therefore, that process cannot be carried out without the consent
of the relevant rightholders.
Read more >

Google – defamation and keyword cases
There have been two high-profile cases against Google recently;
one concerned allegations of defamation, and the other trade mark
infringement issues arising from the use of keywords in Google's
AdWords service.
In Metropolitan
International Schools v (1) Designtechnica Corporation (2) Google
UK Limited (3) Google Inc [2009] EWHC 1765 (QB)
the English High Court ruled that Google was not liable for
defamatory words which appeared in its search results. In order to
become liable, a search engine must have known, authorised or
acquiesced in the publication of the defamatory statement. This
means that once a search engine is given notice of the existence of
defamatory material, it should take reasonable steps to prevent
access to that material.
The Advocate General of the European Court of Justice ("ECJ")
handed down an Opinion on 22 September 2009 on the legality of
keyword advertising (which is where advertisers select keywords
which are then used to produce sponsored results listings). Louis
Vuitton and other French businesses complained that the use of
keywords incorporating their trade marks infringed their rights.
The Advocate General believes that Google's use of keywords does
not infringe, but he stressed that his Opinion was restricted to
the use of keywords, and did not impact on whether the
advertisements or websites to which they are linked might infringe.
The Advocate General's Opinion is not binding on the ECJ, but is a
good indication of the final ruling which the ECJ will make in a
few months' time.
Read more on the defamation case >
Read more about the keyword case >

Updated Code of Practice
The Alliance for the Protection of Copyright (APC) has published
a newly updated
Code of Practice aimed at protecting and giving
confidence to those involved in the submission of proposals for
film, television and radio. The revised code sets out the
obligations of those both submitting and receiving proposals with a
view to encouraging the free flow of ideas and ensuring that
written proposals are treated in a fair and transparent manner. The
revised code includes guidance on online and interactive content
and outlines dispute procedures for those who feel their copyright
may have been infringed.
